A work-in-progress, this multimedia piece captures the sounds of encrypted radio broadcasts and transforms them into ambient drones that hint at a greater, conspiratorial truth...
This work builds upon the soundscapes explored in Words Beyond My Call and develops them in a theatrical setting, as a one man show that explores the process of making art and the importance of our muses.
An ambient electroacoustic project that captures the sounds of transit by train and transforms them into music, designed to accompany the listener on their daily commute.
Part of an online audiovisual experience where individual sound and video works composed around the same theme - water - are paired together by the audience.
An electroacoustic work which combines the natural sounds of local birdcalls with electronically generated feedback loops that mimic and build upon this natural sound.
Written as part of the soundtrack for the Sydney Festival show Dorr-e Dari: A Poetic Crash Course in the Language of Love, this track takes the sounds of traditional Persian instruments and transforms them into extended ambient drones.
Made in collaboration with the Penrith Conservatorium as part of the project Street Notes, this piece combines the natural and manmade sounds of Penrith and St Mary's and then mimics and interpolates this material through the gestures of the clarinet.
An unbounded, spiralling composition for piano, guitar and guzheng, shifting between harmonious pentatonic tonalities, angular tone rows and drifting microtonal passages.
A soundscape commissioned for the Greenway Project, installed in a pedestrian tunnel running underneath a light rail line and set against the murals and mosaics of a previous community arts project that decorate the tunnel.
A soundscape comprised of manipulated field recordings of empty train stations, samples of train announcers, passenger chatter and rural freight trains, anxiously meditating on the future of public transport in a post-pandemic world.
